Sex on a Beach
How sex sells, anytime, anywhere

    The Swimsuit issue of Sports Illustrated, first published in 1964, is an annual publication historically known for legitimizing the bikini as an acceptable form of swim-wear. Bikinis have now become bathing suit staples, but they still hold the same sense of forbidden sexual allure they did forty years ago. Sports Illustrated markets its swimsuit magazine in a manner that presents sexualized women in a matter-of-fact manner, and the magazine is considered tasteful enough to leave on a coffee table. The swimsuit edition has become a mainstay of the Sports Illustrated franchise, and the magazine itself, rather than advertising products featured within its pages, serves to promote the company. As Sut Jhally argues in his article “Image-Based Culture: Advertising and Popular Culture”, Sports Illustrated uses the photos they publish to associate the feelings the photos evoke - sexiness, coolness, desirability – with the name Sports Illustrated. The company then hopes that consumers will purchase the magazine in order to associate themselves with those attributes as well.



"Sexy Sand"

"Wild Woman"

"Beach Cowgirl"

"Sandals and Surf"

"Ready and Willing"



    These five photos were all shot by Warwick Saint, a South African-born and New York-based photographer. Two were shot as part of the Sports Illustrated 2009 South African Swimsuit edition but were not featured in the magazine, while the other three were shot for and printed in the 2010 publication of the same. Although the appearance and placement of the models is typical of the commercial American image of female sexuality, the photos on the whole are raunchier, and some feature partial nudity. Warwick Saint is well known for his photos of female celebrities and advertising spreads for various companies, many of them featuring sexualized women. He uses his association with this theme to brand himself and his work.

Emily Goldman and Rebecca Richman